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    THE SUNDANCE DIFFERENCE

    Experience is key, 30 years of professional orchestral conducting and audio engineering makes the difference.

    Our Story

    What sets Sundance Lane Records apart? Not only are we professional recording engineers, we have extensive professional musical background careers as performing musicians first and foremost. This means that as recording engineers we speak your language.

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    We have been in business since 2015 and since that time we have recorded everyone from professional ensembles to concert tours to elementary schools. Our goal is to make your performance or session sound better than you ever thought it could.

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    Check out our bios below and recording samples here, then give us a call. We love to talk music and discuss producing amazing recordings!
     

    JOHN ANDERSON
    Lead Audio Engineer and Conductor

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    • Over 21 years of recording experience

    • Doctorate in Conducting

    • Member of Audio Engineering Society

    • Diploma from Edgar Stanton Audio Recording Institute,

       Aspen Music Festival and School

    • Apprentice on recordings of:

       - The Mormon Tabernacle Choir and Orchestra

       - West Palm Beach Chamber Players

    • Recordings credits:

       - Handel's Messiah with conductor Simon Carrington,

         Dublin, Ireland

    •  Aspen Festival

    • Numerous International Concert Tours

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    RICHARD BRYANT
    Audio Engineer

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    Richard Bryant is a highly respected musician and studio recording engineer.  His credits as a professional pop singer include performances with the Doobie Brothers, Little River Band and the Beach Boys.  He is the lead vocalist with the “White Album Band,” recreating the famous Beatles release.  Richard is an expert at studio pop and jazz sessions, and taught recording technology for many years at Monterey Peninsula College. He has also recorded numerous live Orchestras and Choirs as part of the Sundance Lane recording team.

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    WILLIAM "ELK" LATHAM
    Audio Engineer

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    Elk Latham has been doing professional sound for more than 30 years. He started doing sound design for live theater and then advanced into concert sound adventuring into large touring shows. After a while he moved into sound recording freelancing in the commercial studios of San Francisco. His experience in both live and recorded sound has led to working on many different projects in the following areas. Music productions, sound design for picture, musical theater, and post for picture. 


    He currently is the resident audio engineer for Cabrillo College. He also founded SilverTop Productions that focuses on sound design for live theater, live music recording, and music creation for recorded media.

    Past Recording Venues

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